Josephine alibrandi and jacob coote relationship

Looking for Alibrandi Essay Example for Free

josephine alibrandi and jacob coote relationship

Josephine Alibrandi; Christina Alibrandi; Michael Andretti; Katia (Nonna) Jacob Coote speaks after Josie, and while she says she isn't she seems to be Studying, Sera tells Josie that her relationship with Jacob is doomed. Although at first he doesn't want a relationship with Josie, they end up having a really cool bond. He decided in the end to move back to Sydney. Looking for Alibrandi Essay Describe at least one relationship that was important in the their Pizza date after Josie's catastrophe of a date with Jacob Coote.

She wants to have enough money to live like this and even directly connects Michael's law practice with this apartment.

Having the harbour bridge so prominently placed in many of the shots that take place here reminds the audience of travelling and Josie's desire to cross over into this kind of world. Character and characterisation Josie Several of the events that occur during the film help us to see the way that Josie develops and changes over the course of the film: Josie is a reluctant participant in the family and cultural ritual.

She doesn't see herself as belonging there.

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She talks about her future, and about not really knowing where she fits in to society. At the beginning of the film, Josie says that fathers seem pretty useless anyway, and that she is happy do do without hers. As Michael's influence grows, Josie learns that half of her family history has been missing, and that Michael and her can have a fruitful relationship, beneficial to both of them.

Going out with Jacob: He teaches her that first impressions aren't always right about people, and that a relationship across different ethnic backgrounds can work. She also learns it's important to preserve your individuality in a relationship. Studying for her future: Josie realises that these exams are an important part of the journey towards the life she wants. She learns that it is important to keep everything in balance, including friendships, relationships, work and school.

Confronting her Nonna over Marcus Sandford helps to bring Josie's relationship with her to a new level. Josie is more understanding of Nonna, and Nonna is more accepting of her grandchild born out of wedlock. How much Josie has grown and learnt over the course of the film is revealed in the final scene. She embraces her family and their traditions, welcomes her friends and boyfriend into the environment and is positive about not knowing exactly what will happen in the future.

josephine alibrandi and jacob coote relationship

Relationships As Josie as the central character in the film, most of the relationships are centred around her. Each one is important and Josie learns a little from each one to become the person she is at the end of the film. Undoubtedly Josie's closest relationship is with these two. They support and frustrate each other enormously, but by the end of the film, Josie is more appreciative of what each of them does for her. Josie doesn't realise how much she's missed having a father until he shows up.

While she's always been happy growing up with her mother, she begins to realise the support and advice of her father might come in handy. Josie's best friends are always there to support her, take her places and discuss ideas with.

Looking For Alibrandi: Character Profiles

Sera comes from a similar Italian family so Josie doesn't feel her family is completely different to everyone she knows, while Anna makes work at Oporto a little more fun. At first John represents where Josie wants to be. After getting to know him, and especially after his suicide, John shows Josie that you can feel alone and misunderstood regardless of your background.

Carly represents all that's bad in the world of the wealthy. She is image obsessed, shallow and vindictive. Josie knows that if she enters John's privileged world, she won't be like Carly.

Structure Compare the beginning and ending of the film The film covers a period of twelve months, beginning and ending with the family Tomato Day. There are several key difference between these two scenes that reveal how much Josie has learnt and grown over the course of the film. What do each of these tell us about Josie?

She runs away to the beach with Sera and Anna as soon as they arrive. She talks about the curse afflicting the Alibrandi women. Footage is coloured to make it look old and out of date.

She asks Nonna for a dance. She invites Jacob, Sera and Anna in to help.

A Visual Text Study of Looking for Alibrandi, directed by Kate Woods - WikiEducator

She doesn't try to escape to the beach. Her voiceover talks about the good things going for the family, not the bad. I'm Christina and Michael's daughter and I'm Katia's granddaughter. And we're not cursed, we're blessed. She uses this technique to explain what's going on, to tell us how she feels about things, to introduce background information, but also to reproduce the kind of first person narrative the novel has.

Josie's doubts about her family, her culture and her future emerge through this voiceover. Mamma, Nonna, cousin Robert etc. Josie tells us a lot of important background information in this voiceover. She reveals that Francesco kicked Christina out when she was seventeen; that Nonna believes Josie brought the curse on the family, and that only Josie and Christina know that Michael Andretti is Josie's father.

Josie uses this voiceover to convey a number of things to us: A lot of what Josie's learnt about herself over the previous year is conveyed through this final voiceover. She admits to not knowing everything, but she does know and appreciate more where she belongs. They are also a way of showing how creative, imaginative and romantic Josie is. Carly is such a glamorous figure in her school that Josie believes there is some truth in this fantasy.

The way that all of her friends fawn over her seem to Josie to be similar to this kind of movie star treatment. So hung up is Josie on the idea that she is going to marry into the world of John Barton, that she begins to dream about it. She becomes shadow attorney general like the most powerful lawyer in the country and all of the people she knows gather around her.

Josie's fear that this year is going to be disastrous is acted out in the fantasy that she is St. Barbara who was beheaded by her father. Coming shortly after meeting her father for the first time, clearly Josie is worried about how things will develop.

Being rescued by Michael: After Michael talks their way out of being sued by Ron Bishop, the stained glass window in the stairwell at St. Martha's changes to reveal Michael as an angel, rescuing Josie.

Light builds behind it, making it almost a biblical miracle. After John Barton's death, the fantasy sequences get fewer and farther between.

There are no more after Josie begins studying for her HSC. This represents something of a loss of innocence, where Josie is no longer as dreamy or as optimistic as she was at the beginning of the film.

Important Events Josie meeting her father for the first time: This has a profound impact on Josie's life. She goes through a range of emotions, but ends up seeing him as a person who has a lot to offer her, and who completes a part of her she never knew anything about.

He helps her with her studies and gives her practice working in a law firm. This helps Josie to see a number of things: This helps Josie to see the motives behind her grandmother's actions. She was trying to protect Christina, rather than punish her, and was hurt when she fell pregnant. By bringing everything out in the open, their feeling can begin to be resolved and they can move forward as three generations of strong, loving Alibrandi women. Close Reading Tomato Day beginning The very first image of the film is an aeroplane flying somewhere.

Josie desperately want to be somewhere else and the plane is one symbol of this. Tintorella di Luna and old Italian twist song plays in the background. This sequence is one continuous shot until Josie arrives.

When she appears on camera, the colour returns to normal and editing begins. It was shot on a handheld camera and coloured to make it look like an old home movie. This gets us thinking about a number of things: What reasons does Josie give for not wanting to be part of Tomato Day? Which important characters are introduced in this sequence? How does Josie show she doesn't want to be part of this world? What ideas does Josie express about her future? Martha's Josie walks up to her school while the wealthier students are dropped off in expensive cars.

She tells us about her and her friends' circumstances, and says that fathers seem pretty useless anyway so why would she want one? Carly Bishop is introduced and Josie runs through a fantasy scene where she is a famous model who is adored by the students at St.

The colours that dominate this sequence are cold whites and blues making the school uninviting, very different to the warm reds and yellows of Josie's backyard. What contrasts are there between people like Carly Bishop and people like Josie Alibrandi in this scene? How has dialogue been used to introduce Carly's character?

Meeting Michael for the first time Nonna's on the phone to one of her spy ring when Josie arrives. She's hot and irritable. When she tries to turn the air conditioning on, she's ushered out of the room because it's only for when guests are around. Josie and Nonna argue and Nonna tells her to go home. Josie's just about to do this, when Michael's standing at the door. She's caught off guard and runs away, embarrassing Nonna. The soft focus and halo of light around Michael's face when the door is opened makes him seem angelic or like a star in a romantic film.

One ironic line of dialogue is when Nonna says 'I was taught to speak English before you mother was born. Why do you think Nonna like to speak Sicilian when Josie's around? Why does Michael say 'Christina's daughter? Jacob drops Josie off Having just had an adrenaline-filled ride home, Jacob walks Josie up to her house.

He tells her about her mother and the process he went through grieving for her. He thought she was wealthy because she goes to 'that snob school'. They pause and Jacob tries to kiss Josie, who initially pulls away, realises she's made a mistake and leans forward, by which time Jacob's pulled away. Why does Jacob seem interested in whether Josie would be at a school like Cook High if she wasn't on her scholarship? What contrasts are there between Josie and Jacob?

Setting John's soul free Lying in bed after the funeral, Josie remembers she has John's soul under her bed. She gets it out and reads it.

Looking for Alibrandi Essay

John wants to be all of the things people want him to be, but knows he can't be them all. All he wants is freedom. The camera mounted on a crane pulls back to allow John the freedom he desires.

Tearing up the letter also tells the audience that she won't follow John towards suicide when things are difficult. She won't hold on to the pain and the grief.

What link is there between what John wants and Josie tearing up the letter? Why does John list the different things people want him to be? Breaking Carly's nose After breaking Carly's nose with her History book, Josie tries to handle it on her own, but after Carly criticises her for having no father, she brags about him being a solicitor. She calls him and has to remind him where she goes to school. Michael arrives and tries to get Josie to tell him what name Carly called her, but she won't say.

All she says is that nobody ever told John's friends they couldn't play at his house, bringing one of the underlying issues up.

Michael understands and talks their way out of trouble. What was the previous encounter between Josie and Michael? Why is there a pregnant pause after Michael says the words 'My daughter Why does Michael mention he has a bad temper? Saying no Josie's concerned about what Sera said about her and Jacob's relationship being doomed because they're from different backgrounds. Jacob can see this instantly and tries to calm her down.

She meets his Dad and it is revealed that they have a close relationship. The kiss in Jacob's room and head towards having sex, but Josie decides she's not ready. Jacob gets anxious but Josie knows that just because Jacob and she have had different experiences with love and sex, they don't have to move at his pace.

What might Jacob say in reply to Josie's comment that he lives without culture? What reasons does Jacob give for them being suited? Why do you think things don't always run smoothly? Confronting Nonna Josie confronts Nonna about her hypocrisy.

Nonna explains what is was like for her in a marriage where her husband was abusive. In her heart, she imagined she was married to Marcus Sandford back in Queensland. She wanted to protect Christina from repeating the same fate and was upset when she found out that Christina had been seeing boys behind her back, and was pregnant. What things stop as a result of this scene? What does she learn about her Nonna as a result of this conversation?

Josie's first reaction is to run off and tell her mother. Why would that have been the wrong thing to do? Why was it better for them all to sit down and share it?

josephine alibrandi and jacob coote relationship

Tomato Day end Tomato day again. A whole year has passed. This time Josie is much more secure in who she is, and accepts that her family is an important part of who she is. She doesn't try to run away as soon as she can, on the contrary, she brings first Jacob, then Sera and Anna in to help.

The final clue that she is happy here is asking Nonna for a dance. It symbolises the way they have resolved their differences. What has Josie achieved in the previous twelve months? Symbolism Travelling One of the most important symbols in the film is the idea of travelling. Josie's culture has been transported to Australia, and she is trying to transport herself to a different style of life.

These are some of the more important examples of this symbol, or motif. The very first shot of the film is of an aeroplane flying over the house. Planes often symbolise people wanting to go places. The final sequence of the film also has a shot of an aeroplane, but this time, Josie simply looks up, happy exactly where she is.

Josie's first means of escape from her family at the beginning of the film is by travelling. She jumps in Sera's car and heads for the beach to escape 'National Wog Day'. John's expensive car is another reminder that they come from separate backgrounds.

Carly is offered the lift, suggesting that she is more suitable for John because of her family. The cruel blow is that Josie initially thinks she is being offered a lift. Josie's relationship with Jacob is symbolised by the motorbike. It is fast, unstable, dangerous but can also be a lot of fun. Driving over the bridge can also be seen to symbolise moving into adulthood because she considers having sex with him.

Josie must take public transport to her school. They pretend to have nothing in common but can talk for hours on any topic. They pretend to come from two different parts of society. Jacob Coote - is the gorgeous school captain of Cook High School. He is intolerant of the opinions of others and set in his ways. The world, according to Jacob, is devided along class lines.

He knows where he stands, and he has a negative view of anyone not standing in the same place as himself. He refers to John Barton as a bore and a wanker; Josie as a middle class snob, and the movie she wants to see is a pansy movie. What you see is what you get with Jacob. Katia Nonna - Young, independent Sicilian 'gypsy' in the 's, and becomes the over protective and conservative grandmother in the 's. When she makes the journy from Italy, as the 17 year old bride of the domineering and jealous francesco Alabrandi, she leaves behind her family, friends, and all the good things associated with youthful freedom.

She's isolated in a strange land, has no one except the older francesco, who, as she later tells Josie, 'treated me like one of his farm animals'. She is obsessed by the past and takes every opportunity to relate old stories and to share photoes with Josie.

Christina mum - when she becomes pregnant at age 16, she is cut off completely by Francesco. The reader can only imagine what she went through emotionaly and financially, trying toi support herself and a baby. She developes into an independent woman who tries to give Josie all she can and has provided her with a stable and loving homelife. She has a very good relationship with her daughter, quite unlike her own relationship with Katia and Francesco while she was growing up.

Josie wonders if it was the lack of love at home that made her seek love with Michael Andretti. Michael Andretti - Left Sydney at 16 or 17, thinking Christina would abort their child. Seventeen years later, when he comes face to face with his daughter, he is shocked into silence, then confused and angry about the situation.

He appears as the independentm, successful and self-assured barrister, but the novel is a journey for him from this date of independence towards an increasing awareness of Josie's needs and his new status as a father.

At first he says to Christina he wants nothing to do with Josie but when Christina tells him to go and forget them both, he doesn't. Poison Ivy - School captain Ivy Lloyd belongs to the wealthy upper class that Josie aspires to at the beginning of the novel.

She and Josie have been in an academic competition all through high school, with Ivy usualy coming out on top. Josie calls her a bore who is obsessed with school work. Sister Louise thinks Ivy is the model student who was chosen as the school captain because of her pro-school attitude and sense of responsability.

She can loose her cool and lower herself to Josie's level in an argument.